The Studio
Mjdsgn was built on a straightforward belief: design should clarify, not complicate. Every project — from a craft whisky label to a stakeholder report for an energy transition consultancy — starts with the same question.
What does this business need to communicate, and what is the clearest, most compelling way to say it visually?
The practice works with businesses in demanding sectors across Scotland. Sectors where the work has to be precise, where the audience is sophisticated, and where getting it wrong has real commercial consequences. That context shapes everything — how briefs are handled, how concepts are developed, how decisions are made.
Mjdsgn is not a large agency. It is something more considered: a single experienced hand guiding the process from brief to delivery, with the knowledge of a studio and the agility of a specialist. Every project gets the same senior-level attention, because there is only one level.

The Process
How a project works.
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1. Define
The first stage of any project is understanding — completely. The discovery conversation establishes the business challenge, the target audience and the desired outcome before any creative work begins. A written brief confirms what has been agreed. The proposal that follows is built from that brief, not from assumptions.
2. Design
A maximum of two concept directions are presented. Each is a considered answer to the brief, not a variation to fill a slide. Concepts are presented with a clear rationale. Project revisions are included and clearly scoped. Sign-off at each stage means nothing gets reopened unnecessarily.
3. Deliver
All files are prepared to a documented quality standard and delivered through a professional platform with clear organisation. A handover guide is included with every project, explaining what has been delivered, what each format is for, and how the brand system should be applied going forward. The final invoice is issued at delivery, consistently.

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Background
Mjdsgn didn't begin as a plan. Independence came from necessity, and what I found in it was the work I should have been doing all along.
I trained as a product designer and spent several years as a multidisciplinary designer across publishing, packaging, web and product development; that breadth is what the studio runs on today. Scotland has been home my whole life, and moving to the highlands brought a slower, more considered pace and a closer connection to the industries and communities I work with.
The approach has always been the same: every client is different, every brief is different, and treating either as a standard category is a shortcut to generic work.
